![]() Singing the Village: Music, Memory and Ritual among the Sibe of Xinjiang by Rachel Harris (2005) Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts of the 38th World Conference of the International Council for Traditional Music, Sheffield 2005 Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts of the 38th World Conference of the International Council for Traditional Music, Sheffield 2005. Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts of the 38th World Conference of the International Council for Traditional Music, Sheffield 2005 ![]() (2009) Chinese Flute Solos Chinese Flute Solos. (2014) Chinese Violin Solos Chinese Violin Solos. Stock (1987) Music History and Form Made Simple. Barrhill, Ayrshire, Scotland: Piper Publications. Stock (1989) Music History and Form Made Simple. Rochester, NY: Rochester University Press. Stock (1996) Musical Creativity in Twentieth-Century China: Abing, His Music and Its Changing Meanings. Musical Creativity in Twentieth-Century China: Abing, His Music and Its Changing Meanings. Stock (1996) World Sound Matters: An Anthology of Music from Around the World. World Sound Matters: An Anthology of Music from Around the World. Stock (2003) Huju: Traditional Opera in Modern Shanghai. Huju: Traditional Opera in Modern Shanghai. Shanghai: Shanghai Music Conservatory Press. Stock (2009) Huju: Xiandai Shanghai de chuantong xiqu. Huju: Xiandai Shanghai de chuantong xiqu. Stock (2013) Shijie yinyue jiaocheng: Yinxiang yu yuepu keli. Shijie yinyue jiaocheng: Yinxiang yu yuepu keli. (2021) Everyday musical life among the Indigenous Bunun, Taiwan. Interactive Research in Music as Sound: Transforming Digital MusicologyĬentre for Applied and Interdisciplinary Research in MusicĮveryday musical life among the Indigenous Bunun, Taiwan. Making Sense of TV Music Talents Shows in China - An Audience Ethnolgraphy. National High-End Foreign Experts Program, China Education Ministry & Yunnan UniversityĪpplying Cultural Heritage as a Means of Sustainable Development: Voices of Women Culture Bearers in Yunnan, China History of Chinese music conference keynote Intersexuality in Chinese Martial Arts: Transnational Identity Construction at the Junctures of Kung Fu, Music, Lion Dance and Film ![]() music of China and Taiwan, including that of the overseas Chinese.I've also acted as mentor and team member on several grants in digital musicology, Asian studies, Indigenous studies and ethnomusicology. I have published widely, and received and directed grants in Chinese music research, the study of Taiwanese musical culture, English folklore, Chinese studies and Korean nationalism. Their research topics include music in China, Italy, Ireland, USA, Mexico, Greece and Cyprus and again they embrace a wide range of (inter)disciplinary approaches and emphases, from historical subjects to contemporary expressions and from localised traditions to global trends. Most were ethnographic studies but others involved approaches from arts practice (including composing and performing), historical musicology, music education or music analysis. I am currently primary supervisor for 13 PhD students and co-supervisor for another 7. Many of these concerned music in China, Taiwan or England, with several others focused on Iran, India, Korea, Cyprus and Malta. I have been primary supervisor for 18 successfully completed PhDs (secondary supervisor for another 12), 12 research masters and 32 taught masters. I have been editor of several journals, including The World of Music, and, more recently, co-editor of Ethnomusicology Forum. I have also acted as a UK Arts and Humanities Research Council panel chair (Music, Drama and the Performing Arts Beyond Text Special Theme Commissioning Panel and Annual Postgraduate Awards Panel). From 2011-12, I was Associate Dean for Research, Sydney Conservatorium of Music, University of Sydney. I completed my PhD at the Queen’s University of Belfast and was a British Academy Postdoctoral Fellow and then Lecturer at the University of Durham, before moving to Sheffield to found a new programme in ethnomusicology, where I served as Lecturer, Reader and then Professor of Ethnomusicology. I am also interested in applied ethnomusicology, English folk music, music education, musical analysis, and the global history and theory of ethnomusicology. I am an ethnomusicologist specialising in the music of East Asia, China and Taiwan. Biography I am Professor of Music and former Head of Department of Music and former Head of School of Music and Theatre at UCC.
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